My Story, My Rules (Mary Strand)
This
month, our blog topic is whether there’s a “line” in YA fiction and, if so,
whether we should cross it.
I’m writing fiction, but I want it to be relatable. Real. Normal. Girls in their teens are thinking about sex, even ones who haven’t yet experienced their first date, their first kiss, their first anything. If they have close sisters or girlfriends, they’re probably talking about it, too.
In
other words: we're talking about S-E-X.
I
usually write fairly sweet stuff, relatively speaking, especially in my YA
novels. To the extent I can.
But
I tell the story that needs to be told. If
it means I cross a line, so be it.
In
one of my not-yet-published manuscripts, the heroine’s best friend suffers a
brutal death (off the page) at age 12. The rest of the book is set five years later,
and that death affects every single aspect of the heroine’s life. Because of course it would. In another of my manuscripts, a girl trying
desperately to be popular goes way too far (and farther than she wants) with
the most popular guy in school. That
book is about figuring out who you are, what you want, and what you’re willing (or
not willing) to do.
I
cross lines in those books, but I think it’s vital to the story that I do so.
(At
this point I simply have to give a shout-out to Laurie Halse Anderson for her
novel Speak. Does it cross lines? Absolutely.
It’s one of my favorite YA novels.)
My
only published YA fiction so far is
my four-book Bennet Sisters series, which involves a modern collision with Pride and Prejudice. Since Jane Austen tended to avoid references
to sex in her novels (even when dealing with characters like Lydia Bennet and
Mr. Wickham), I think it’d be strange if I veered too far from that “sweet”
path in writing about a modern Bennet family. Just
my opinion, of course!
But that’s the key:
my book, my opinion, my rules.
I
once had a Q&A session at a reader event with an audience ranging from age
10 (a girl who’d already read two books in the Bennet Sisters series) to older
adults. A couple of adults asked about “the
line.” Why did I have ANY references to
sexuality in the books? For that
matter, why did I have ANY swearing or off-color language?
My
answer: Because it’s true to the
characters and the story.
Gidget, the sweetest character EVER, was thinking about sex. You know she was. |
I’m writing fiction, but I want it to be relatable. Real. Normal. Girls in their teens are thinking about sex, even ones who haven’t yet experienced their first date, their first kiss, their first anything. If they have close sisters or girlfriends, they’re probably talking about it, too.
And
that’s a good thing.
I
was surprisingly shy in my teens, except on a tennis or basketball court or athletic
field. (I got over that in a big way in
law school.) If I wanted information, I sure
didn’t ask my mom or dad. Instead, I often
got it from books. As the seventh kid in
my family, I still vividly remember the “mature” novels I found lying around
the house when I was 10 or 12. I read
them all. Sometimes uncomfortably, but I
read them.
A
favorite mantra of mine: all information is good. (Yes, even the crap we all find on the
internet.) In a perfect world, sure, teenagers
will have “the talk” (or, better, a bunch of talks) with parents or other
trusted adults. But books don’t ask
questions or pry or make you squirm or feel embarrassed. Books are a safe space. Teens need that.
If
you’re a parent trying to monitor what your teenager is reading, good
idea. But I’d suggest you also think
back to the books you read in your teens, keep an open mind, and simply talk to
your teenagers about what they’re reading.
And
chill. No matter what they read, teenagers usually turn out just fine.
Mary
Strand is the author of Pride, Prejudice, and Push-Up Bras
and three other novels in the Bennet Sisters YA series. You can find out more
about her at marystrand.com.
Excellent post. I view many of today's YA books as bibliotherapy (self-help and awareness through reading) because there are tons of teens dealing with issues in small towns and rural areas where they truly believe they're completely alone when facing a major life crisis. Reading about someone like themselves can reduce the sense of isolation and might even give them the courage to seek out support.
ReplyDeleteThanks! Depending on the teen, I think it can even be true in large cities. The more avenues of help, the better.
DeleteBerek: So true.
Delete